99 Most Hated Songs Of All Time

Welcome to the the realm of the most hated songs of all time, a place where catchy meets cringeworthy, and melodies morph into memes.

This is a collection of tunes so powerful they can make you laugh, cry, or even question your taste in music. Whether it’s because they’re too cheesy, too repetitive, or just too darn irritating.

They’re the guilty pleasures we won’t admit to, the earworms we can’t extricate, and the memories we can’t help but revisit.

Table of Contents

Those Tunes You Love to Hate from the ’50s

The ’50s — a decade often romanticized for poodle skirts and milkshakes, but it also had its share of musical misadventures. You know, the kind that makes you say, “Oh, not this song again!” faster than you can drop a nickel in the jukebox.

These tracks have the dubious honor of making it onto our “most hated” list.

“Tutti Frutti” – Pat Boone (1956)
Pat Boone’s rendition strips the raw vitality and electrifying energy from the famous song. His performance is like a curry without the spices; it’s technically food, but it’s missing the essence that makes it memorable. This cover could be used as a case study in how to turn a rock ‘n’ roll anthem into elevator music.
“(How Much Is) That Doggie in the Window” – Lita Roza (1953)
Lita Roza’s rendition of “(How Much Is) That Doggie in the Window” might have charmed listeners in the ’50s, but its repetitive chorus and saccharine melody can now serve as an effective method for testing one’s patience. The song embeds itself in your brain a question you never thought you’d ask yourself repeatedly.
“Ain’t That a Shame” – Pat Boone (1955)
When Pat Boone decided to cover Fats Domino’s “Ain’t That a Shame.” What’s the outcome? The rock ‘n’ roll edge is filed down to a smooth, unrecognizable surface, making it palatable for the most conservative of listeners but leaving anyone craving authenticity sorely disappointed.
“Tell Me a Story” – Jimmy Boyd & Frankie Laine (1953)
In “Tell Me a Story” the execution turns this narrative into a treacly dialogue that lacks the depth and engagement. The song plods along, offering a glimpse into a world where complexity is eschewed for the sake of simplicity.
“The Chipmunk Song” – The Chipmunks / David Seville (1958)
Initially a charming novelty, “The Chipmunk Song” quickly transitions from a festive favorite to an auditory challenge. The chipmunk voices, while innovative for their time, now transform a delightful holiday quirk into a test of endurance. The song’s repetitive plea for a hula hoop becomes a looping soundtrack, making even the most patient listeners consider a chipmunk-free playlist.
“Deck of Cards” – Wink Martindale (1959)
Wink Martindale’s “Deck of Cards” stands as a curious amalgamation of spoken word and musical backdrop, narrating a tale that straddles the line between inspirational and overly didactic. The story, meant to evoke a sense of awe, often elicits a different kind of wonder—wondering when the actual song will begin. It’s an auditory experience akin to sitting through a sermon that you stumbled into, where the message is clear but you can’t help but look for an escape route.
“The Doggie in the Window” – Patti Page (1953)
Patti Page’s rendition of “The Doggie in the Window” captures the innocence of her era while testing the limits of modern listeners’ tolerance for repetition. The song’s whimsical inquiry about a pet store dog might have mirrored post-war optimism, but today it feels more like a looped soundtrack in a novelty shop that you can’t wait to exit. It’s the type of song that stays stuck in your brain long after you’ve begged it to go away.
“Bathing Beauty” – The Beach Boys (1959)
“Bathing Beauty” attempts to capture the fun and frivolity of beach life but ends up feeling more like a day spent in the shallow end of the pool. The song’s simplistic lyrics and melody might conjure images of sun and sand, but they lack the depth and resonance of The Beach Boys’ more iconic tracks.
“Long Tall Sally” – Pat Boone (1956)
Pat Boone’s cover of “Long Tall Sally” takes a rock ‘n’ roll classic, stripping away the raw energy that made the original irresistible. Boone’s version is like watching a high-speed car chase at half speed.
“Running Bear” – Johnny Preston (1959)
Johnny Preston’s “Running Bear” is a song caught between two worlds; it’s a love story with a catchy tune, yet it’s marred by cultural insensitivity that’s hard to overlook today. The song’s portrayal of Native American characters and themes, intended to be lighthearted, now serves as a reminder of the era’s lack of awareness. “Running Bear” might have once filled dance floors, but its legacy is complicated by a modern understanding of representation and respect.

60’s Songs That Made Us Go “Ugh!”

The ‘60s – a decade of change, hope, and some songs that, well, didn’t age like fine wine. These songs had people covering their ears and begging for a little peace and love from the airwaves.

“Tiptoe Through the Tulips” – Tiny Tim (1968)
Tiny Tim’s ukulele and quivering falsetto made “Tiptoe Through the Tulips” one of those songs you can’t just tiptoe away from. It sticks with you like gum on your shoe: persistent and annoying.
“Surfin’ Bird” – The Trashmen (1963)
“Surfin’ Bird” by The Trashmen is an all-out assault on the senses. The repetition of “the bird is the word” could have been a mantra for meditation but instead turned into a soundtrack for a headache.
“I Got You Babe” – Sonny and Cher (1965)
Immortalized by the film “Groundhog Day,” this track by Sonny and Cher could be seen as a sweet ode to eternal love. The simple duet might have warmed the hearts of many, but it also had the uncanny ability to make the most patient of listeners grit their teeth as they checked their watches.
“Sugar Sugar” – The Archies (1969)
The catchy chorus, the jingle-jangle rhythm, it’s all sunshine and rainbows until you realize the song has looped for the fifteenth time in your mind.
“I’m Henry VIII, I Am” – Herman’s Hermits (1965)
“I’m Henry VIII, I Am” might have had historical Henry rolling in his grave with its incessant, jovial repetition. Herman’s Hermits managed to create a tune that was both an earworm and an annoyance.
“Revolution 9” – The Beatles (1968)
The Beatles’ “Revolution 9” have been an experimental piece that reflected the chaotic spirit of the era. But, with its disjointed collage of sound effects, snippets of conversation, and orchestral snippets, it also reflected the sound of listeners’ confusion.
“Cherish” – The Association (1966)
There’s slow-dance sweet, and then there’s “Cherish” by The Association, which could be considered slow-dance sleep-inducing. While it might have been a prom favorite, the song’s leisurely pace and sugary lyrics also made it the perfect background for a nap.
“MacArthur Park” – Richard Harris (1968)
Someone left the cake out in the rain, and Richard Harris made sure everyone knew about it with “MacArthur Park.” Overly metaphorical and melodramatic, this song left listeners confused.
“Honey” – Bobby Goldsboro (1968)
Bobby Goldsboro’s “Honey” is a tearjerker that tries so hard to tug on your heartstrings, it ends up feeling like a melodramatic play put on by the local drama club.
“Yummy Yummy Yummy” – Ohio Express (1968)
The Ohio Express delivered a song with a hook so catchy, it’s almost insidious. “Yummy Yummy Yummy” is the type of song that you find yourself humming in the middle of a serious conversation, much to your own horror.

The ’70s Playlist of Perplexity

The 1970s – a decade of bell-bottoms and disco fever. This was an era when experimentation in music was not just encouraged but celebrated, leading to a mix of timeless classics.

But there were songs that, for various reasons, have earned the dubious honor of being among the most disliked.

“You Light Up My Life” – Debby Boone (1977)
Debby Boone’s “You Light Up My Life” might have been an anthem of hope and love in the ‘70s, but its overly sentimental lyrics and melody have led to a collective eye-roll over the years. It’s the kind of song that’s perfect for a slow dance at a wedding… if you can get past the cloying sweetness.
“Make It With You” by Bread (1970)
Bread’s “Make It With You” is so mellow and smooth, it borders on soporific. While it may have been the perfect soundtrack for a cozy night in during the ‘70s, today it might just make you want to take a nap.
“Sometimes When We Touch” by Dan Hill (1977)
Dan Hill’s emotional delivery in “Sometimes When We Touch” reaches levels of intensity that can feel a bit too much for the casual listener. This is the kind of song that you either sing along to at the top of your lungs or skip when it starts.
“Wonderful Tonight” by Eric Clapton (1977)
Eric Clapton’s “Wonderful Tonight” is undeniably beautiful, but its ubiquity at weddings and slow dances has turned it from a heartfelt ballad into a cliché.
“Disco Duck” by Rick Dees (1976)
“Disco Duck” is a song that managed to capture the disco craze in its most absurd form. While it might have been amusing the first few times, its charm quickly fades, leaving you wondering how it ever waddled its way up the charts.
“Convoy” by C.W. McCall (1975)
A novelty song that tapped into the CB radio craze of the ‘70s. “Convoy” by C.W. McCall is a trucker anthem that’s more fun in theory than in endless repetition.
“The Morning After” by Maureen McGovern (1973)
This song, associated with disaster movie “The Poseidon Adventure.” It carries a sense of melodramatic survival that might have resonated in the context of the film but feels overly dramatic when played on a sunny day.
“Seasons in the Sun” by Terry Jacks (1974)
This song, with its dark lyrics thinly veiled by a cheerful melody, has puzzled listeners for decades. It’s a farewell song that’s both depressing and catchy, a combination that has left it eternally memorable for all the wrong reasons.
“Muskat Love” by Captain & Tennille (1976)
“Muskat Love” manages to turn the muskrat into the star of a love song. Its whimsical take on rodent romance might have been novel at the time, but hindsight hasn’t been kind to this tale of affection.
“Have You Never Been Mellow” by Olivia Newton-John (1975)
Olivia Newton-John’s call to chill out in “Have You Never Been Mellow” has a soothing melody that’s hard to resist. Yet, its plea for relaxation can come off as a bit too laid-back, even for the ‘70s.

80s Melodic Missteps

The ‘80s — a time of big hair, neon colors, and musical experiments that ranged from the revolutionary to the downright questionable. However, not every experiment was a success, and not every anthem stood the test of time.

Here are the songs from the ‘80s that, for various reasons, have been relegated to the “most hated” bin by some listeners.

“We Built This City” by Starship (1985)
“We Built This City” has been criticized for its nonsensical lyrics and overproduced sound, making it a song that many love to hate. It’s a track that tries to celebrate the spirit of rock ‘n’ roll but ends up feeling disconnected from the very culture it aims to champion.
“Mickey” by Toni Basil (1981)
Toni Basil’s cheerleader chant turned pop hit “Mickey.” While its energetic beat and iconic “Oh Mickey, you’re so fine” chorus have earned it a spot in pop culture history, the song’s cheeriness can also make it grating after repeated listens. It’s a song that’s fun in small doses but can quickly become overwhelming.
“Money for Nothing” by Dire Straits (1985)
Despite its groundbreaking music video and memorable guitar riff, “Money for Nothing” by Dire Straits has faced criticism for its lyrics, which some listeners find problematic in today’s context. The song was a commentary on the music industry and MTV culture of the ‘80s, but its satirical edge has been lost on some.
“Everybody Have Fun Tonight” by Wang Chung (1986)
Wang Chung’s invitation to “Everybody Have Fun Tonight” has puzzled listeners for decades. The song’s repetitive chorus and nonsensical command to “Wang Chung” have made it both memorable and mockable.
“Lady in Red” by Chris de Burgh (1986)
Chris de Burgh’s “Lady in Red” is a ballad that’s either deeply romantic or deeply cheesy, depending on your perspective. Its sweeping melody made it a slow-dance staple, but also the butt of jokes for its cloying sentimentality.
“Rock Me Amadeus” by Falco (1985)
Falco’s tribute to Mozart, “Rock Me Amadeus,” is a curious blend of classical genius and ‘80s pop flair. While it certainly stands out for its unique concept, the song’s novelty factor has worn thin over the years, leaving some listeners more puzzled than pumped.
“Party All the Time” by Eddie Murphy (1985)
The song’s repetitive lyrics and Murphy’s surprisingly earnest vocal performance make it a curiosity of the ‘80s music scene, celebrated by some for its fun vibe but criticized by others for its lack of musical depth.
“The Final Countdown” by Europe (1986)
With its iconic keyboard intro, “The Final Countdown” by Europe is both an ‘80s anthem and a piece of pop culture kitsch. The song’s grandiose style and sci-fi themed lyrics have cemented its place in ‘80s lore, yet its sheer theatricality can feel overwhelming.
“The Safety Dance” by Men Without Hats (1982)
“The Safety Dance” is an earworm that transcends its era. This is a quirky synth-pop track that champions nonconformity and freedom of expression. Despite its catchy beat and memorable music video, the song’s repetitive lyrics have made it the subject of both affection and derision.
“We Are the World” by USA for Africa (1985)
A monumental collaboration for a noble cause, “We Are the World” brought together some of the biggest names in music to raise funds for famine relief in Africa. While its intentions are beyond reproach, the song’s earnestness and the celebrity-packed chorus have led some to view it as emblematic of excess and sentimentality. It’s a song that’s as much celebrated for its impact and message as it is critiqued for its grandiosity.

Rhythmic Regrets of the ’90s

The ’90s – a decade of technological leaps, grunge, and the emergence of pop bands. This was a time when music videos became a crucial part of an artist’s success.

Among the decade’s gems were songs that, for various reasons, were met with varying degrees of condemnation. Some were considered too catchy, others too cheesy, and some were criticized for their lack of substance.

“Cotton Eye Joe” by Rednex (1994)
A fusion of techno and country “Cotton Eye Joe” stormed the charts and parties. Its relentless beat and nonsensical lyrics made it a staple of ‘90s culture, yet equally a track many love to hate. Its overplay and simplistic melody have left some with a lasting aversion to electronic hoedowns.
“Barbie Girl” by Aqua (1997)
Aqua’s “Barbie Girl” is a bubblegum pop song with a catchy tune that quickly became a ‘90s anthem. Despite its commercial success, the song was criticized for its superficial lyrics and portrayal of gender stereotypes. Its high-pitched vocals and repetitive chorus can either be seen as fun and ironic or grating and tiresome.
“Macarena” by Los Del Rio (1993)
The dance craze that took over the world, “Macarena” is both beloved and despised. Its ubiquity turned it into a song many grew to hate.
“Faith” by Limp Bizkit (1998)
Limp Bizkit’s cover of George Michael’s “Faith” turned the pop classic into a nu-metal anthem. The drastic transformation divided listeners. Fans of the original often found the cover too aggressive, missing the charm of George Michael’s version.
“Summer Girls” by LFO (1999)
“Summer Girls” by LFO is known for its nonsensical lyrics and name-dropping of various ‘90s pop culture references. The song’s catchy melody couldn’t save it from criticism over its seemingly random and disjointed lyrics.
“Truly Madly Deeply” by Savage Garden (1997)
A ballad that dominated the airwaves, “Truly Madly Deeply” is loved for its romantic lyrics but criticized by others for its melodramatic delivery. It’s a song that walks the fine line between sincerity and over-the-top sentimentality.
“Mambo No. 5” by Lou Bega (1999)
Lou Bega’s “Mambo No. 5” brought Latin flair to ‘90s pop music, but its repetitive list of women’s names and simplistic chorus made it a target for criticism. While undoubtedly catchy, its novelty wore off, leaving it as a one-hit wonder that’s hard to listen to repeatedly.
“Achy Breaky Heart” by Billy Ray Cyrus (1992)
Billy Ray Cyrus’s breakout hit brought line dancing into the mainstream but also a wave of backlash for its repetitive chorus and simplistic lyrics. “Achy Breaky Heart” is often cited as an example of country music’s commercialization in the ‘90s.
“Higher” by Creed (1999)
Creed’s “Higher” became an anthem for many. But critics and some listeners found the song overly pretentious, making it a frequent target for parody.
“All Star” by Smash Mouth (1999)
Thanks to its feature in numerous movies and memes, “All Star” has achieved a level of internet immortality. However, its omnipresence and simplistic lyrics have led to a love-hate relationship with listeners.
“Tubthumping” by Chumbawamba (1997)
An anthem of resilience, “Tubthumping” was everywhere in the late ‘90s. Its chorus is catchy but has been criticized for being repetitive to the point of annoyance. The song’s message of perseverance is overshadowed by its singular, overplayed chorus.
“Informer” by Snow (1992)
Snow’s “Informer” introduced reggae fusion to the masses but also confused listeners with its rapid-fire, barely intelligible lyrics. The song’s catchy beat couldn’t fully compensate for the fact that many people had no idea what Snow was saying.
“I Want You” by Savage Garden (1996)
Savage Garden’s “I Want You” was a hit for its catchy melody and fast-paced lyrics. However, its repetitive chorus and verses filled with nonsensical jargon have left some listeners finding it more irritating than engaging.
“MMMBop” by Hanson (1997)
An infectious pop track that defined Hanson’s career, “MMMBop” captured the hearts of many with its catchy melody and youthful energy. However, its repetitive chorus and seemingly nonsensical lyrics have made it a point of contention.
“Ice Ice Baby” by Vanilla Ice (1990)
Vanilla Ice’s “Ice Ice Baby” holds the distinction of being the first hip-hop single to top the Billboard charts, yet its legacy is mired in controversy and ridicule. The song’s infamous bassline, borrowed from Queen and David Bowie’s “Under Pressure,” coupled with Vanilla Ice’s braggadocious style, turned it into a cultural touchstone for both the right and wrong reasons.

2000s Sound Snafus

The 2000s brought a digital revolution in music, along with a mix of tracks that ranged from catchy to cringe-worthy.

Here’s a look at some of the songs that, for various reasons, earned the ire of many during the 2000s.

“Who Let the Dogs Out?” by Baha Men (2000)
An anthem at sports events but often criticized for its repetitive lyrics and novelty factor, “Who Let the Dogs Out?” became synonymous with early 2000s pop culture. Despite winning a Grammy, its incessant barking and party vibe made it a song that many people love to mock.
“The Hampsterdance Song” by Hampton the Hampster (2000)
Originally a simple website featuring dancing hamsters, this song became a viral sensation before “viral” was a common term. Its high-pitched, sped-up vocals and repetitive melody make it a track that’s hard to forget but easy to find annoying.
“Blurry” by Puddle of Mudd (2001)
“Blurry” captures the post-grunge era’s essence but has been criticized for its whiny vocals and angsty lyrics. While it achieved commercial success, some listeners dismiss it as emblematic of early 2000s rock’s more derivative tendencies.
“The Ketchup Song (Aserejé)” by Las Ketchup (2002)
With a catchy chorus based on a misheard verse from “Rapper’s Delight,” this song became a global hit. However, its nonsensical lyrics and dance routine often led to it being dismissed as a one-hit wonder.
“You’re Beautiful” by James Blunt (2004)
James Blunt’s breakthrough hit is a ballad that achieved massive commercial success but also faced backlash for its ubiquitous radio play and perceived sappiness.
“My Humps” by Black Eyed Peas (2005)
“My Humps” received criticism for its simplistic lyrics and repetitive chorus, focusing on the female body in a way that some found objectifying. Despite its commercial success, the song is often cited as an example of the Black Eyed Peas’ more criticized work.
“Axel F” by Crazy Frog (2005)
An animated character covering the “Axel F” theme, Crazy Frog became a cultural phenomenon, much to the dismay of many. Its incessant ringtone advertisements and bizarre, annoying sound effects made it a staple of 2000s pop culture, for better or worse.
“Photograph” by Nickelback (2005)
Nickelback has been a divisive band, and “Photograph” exemplifies why. Critics often target the song’s sentimental lyrics and Chad Kroeger’s vocal style, making it a frequent subject of internet memes and jokes about the band’s overall sound.
“Rockstar” by Nickelback (2005)
Another Nickelback entry, “Rockstar,” was criticized for its portrayal of celebrity culture with clichéd lyrics. It’s often highlighted as an example of the band’s formulaic approach to rock music.
“I’m a Gummy Bear (The Gummy Bear Song)” by Gummibär (2006)
A bubblegum dance track accompanied by an animated gummy bear, this song captured the attention of children worldwide but its repetitive lyrics and electronic beats left many adults finding it grating and overly simplistic.
“Stars Are Blind” by Paris Hilton (2006)
Reality star Paris Hilton’s foray into music met with mixed reviews, and “Stars Are Blind” was no exception. The reggae-infused pop track was often criticized for its lack of vocal depth and perceived novelty status.
“Crank That (Soulja Boy)” by Soulja Boy Tell ’em (2007)
“Soulja Boy” brought viral dance crazes to the mainstream with “Crank That.” Despite its massive online popularity, the song’s simplistic beat and repetitive lyrics led to criticism of its artistic merit.
“That’s Not My Name” by The Ting Tings (2008)
This catchy indie pop hit is known for its shouty vocals and repetitive chorus. While “That’s Not My Name” became an anthem of self-assertion, its incessant repetition also made it a track some listeners found tiresome.
“Party in the U.S.A.” by Miley Cyrus (2009)
A pop anthem that marked Miley Cyrus’s transition from Disney star to mainstream pop artist, “Party in the U.S.A.” was everywhere. Its catchy melody and relatable lyrics celebrating American life made it a hit, but its overplay and association with Cyrus’s image change also led to backlash. While it remains a staple of late 2000s pop, its omnipresence at the time made it a song many loved to hate.

2010s Tune Tumbles

The 2010s were a decade of rapid change in the music industry, with streaming services becoming the primary mode of consumption for many listeners. This era saw the rise of viral hits and meme-worthy tracks.

Here are songs from the 2010s that sparked debate, disdain, or outright derision.

“Baby” by Justin Bieber feat. Ludacris (2010)
Justin Bieber’s “Baby” is a track that marked the peak of Bieber Fever. Its catchy chorus and pop hooks made it a massive hit, but its repetitive lyrics and Bieber’s youthful voice also made it a target for critics and listeners who found it grating.
“My Jeans” by Jenna Rose (2010)
Jenna Rose’s “My Jeans” became known for its low-budget production and awkward auto-tuned vocals. The song, attempting to capitalize on teenage fashion trends, ended up becoming a viral sensation for all the wrong reasons.
“Whip My Hair” by Willow Smith (2010)
Willow Smith’s debut single “Whip My Hair” was praised for its empowering message but also criticized for its repetitive nature and the premature push of Willow into the spotlight at a young age.
“Friday” by Rebecca Black (2011)
“Friday” became infamous overnight for its simplistic lyrics about the days of the week and heavily auto-tuned vocals. Despite its viral success, it was widely mocked and considered one of the worst songs ever by many.
“Call Me Maybe” by Carly Rae Jepsen (2011)
Carly Rae Jepsen’s breakout hit “Call Me Maybe” was a catchy pop sensation with a memorable music video. Its ubiquity, however, led to listener fatigue.
“What Makes You Beautiful” by One Direction (2011)
One Direction’s debut single became an anthem for their fans but also faced criticism for its cookie-cutter pop formula. The song’s message and boy band aesthetics were not to everyone’s taste, creating a divide among listeners.
“Swagger Jagger” by Cher Lloyd (2011)
Cher Lloyd’s “Swagger Jagger” received backlash for its perceived lack of originality and Lloyd’s aggressive delivery. The song’s mix of genres and repetitive chorus failed to impress a broader audience.
“Sexy and I Know It” by LMFAO (2011)
LMFAO’s party anthem was celebrated for its humor and catchy beat but also derided for its shallow lyrics and over-the-top portrayal of masculinity.
“Stupid Hoe” by Nicki Minaj (2012)
Nicki Minaj’s “Stupid Hoe” is known for its bold lyrics and rapid-fire rap delivery. However, its confrontational tone and repetitive chorus made it one of her most controversial tracks.
“Hot Problems” by Double Take (2012)
A song that attempted to satirize first-world problems but ended up being criticized for its off-key vocals and cringe-worthy lyrics. “Hot Problems” was widely panned and considered a low point in viral music videos.
“Gangnam Style” by Psy (2012)
Psy’s “Gangnam Style” took the world by storm with its catchy tune and iconic dance moves. It became one of the most-viewed YouTube videos of its time. However, the song’s novelty eventually wore off for some, leaving mixed feelings about its long-term appeal.
“Harlem Shake” by Baauer (2012)
The soundtrack to a viral dance craze, “Harlem Shake” was everywhere in 2013. Despite its success, many criticized the track and the accompanying videos for being repetitive and lacking musical substance.
“Boyfriend” by Justin Bieber (2012)
With “Boyfriend,” Bieber attempted to transition to a more mature sound, but not everyone was convinced. The song was seen by some as an awkward step between his teen pop roots and his desire to be taken seriously as an adult artist.
“We Are Never Ever Getting Back Together” by Taylor Swift (2012)
Taylor Swift’s foray into more pop-oriented territory was met with commercial success but also divided her fanbase. Critics of the song found its chorus annoyingly catchy and its lyrics overly simplistic.
“It’s Thanksgiving” by Nicole Westbrook (2012)
“It’s Thanksgiving” was criticized for its amateurish production and simplistic portrayal of the holiday. It became a song that gained attention not for their musical quality but for their viral nature on social media.

2020s Audio Annoyances

The 2020s have seen the genres blend more than ever and social media platforms like TikTok influenced which songs rise to the top.

2020

2020, the year everyone’s living room turned into a dance floor. People were trying to dance away the pandemic blues, and the music had to be catchy enough.

But sometimes it felt like the music was made just to escape our playlists.

“Intentions” by Justin Bieber (2020)
Justin Bieber’s “Intentions” featured heartfelt lyrics and a smooth R&B vibe, but critics found it lacked depth, calling it a safe play that didn’t add anything new.
“Say So” by Doja Cat (2020)
While “Say So” catapulted Doja Cat to new heights of fame thanks to its viral dance on TikTok, some listeners criticized its repetitive chorus and accused the song of being formulaic pop.
“Together” by Sia (2020)
Sia’s “Together” was intended to uplift spirits during tough times, but its overly saccharine approach and perceived lack of subtlety in addressing themes of unity and resilience turned some listeners away.

2021

As we stumbled out of our pandemic hidey-holes in 2021, the music industry decided what we really needed was a reminder of what parties sounded like. Except, the parties were now in our heads.

2021 had us wondering if our speakers needed a break.

“Fancy Like” by Walker Hayes (2021)
Walker Hayes’ “Fancy Like” became an anthem for simple pleasures, but its viral success on TikTok couldn’t shield it from criticism for its cliché lyrics and portrayal of Americana.
“Life Goes On” by Oliver Tree (2021)
Oliver Tree’s unique musical and visual style has a dedicated fanbase, but “Life Goes On” was seen by some as repetitive and lacking the emotional depth.
“ABSUЯD” by Guns N’ Roses (2021)
Guns N’ Roses’ return with “ABSUЯD” excited hardcore fans but left others feeling the track was a disjointed effort that failed to capture the magic of their earlier work.

2022

This was the year when genre-blending became genre-bending, and you couldn’t tell if you were listening to pop, hip-hop, or a blender full of both.

“abcdefu” by GAYLE (2022)
GAYLE’s breakout hit “abcdefu” resonated with its raw emotion and relatable lyrics, but its explicit language and straightforward pop-punk sound were not to everyone’s taste.
“emo girl” by Machine Gun Kelly feat. WILLOW (2022)
MGK and WILLOW’s collaboration on “emo girl” aimed to capture the spirit of pop-punk resurgence but was criticized for its surface-level exploration of the genre and perceived lack of authenticity.
“Mona Lisa” by Lil Pump feat. Soulja Boy Tell ‘Em (2022)
This collaboration was met with skepticism, as listeners questioned the musical compatibility of Lil Pump and Soulja Boy, leading to mixed reviews on the track’s coherence and quality.

2023

This year’s songs were trying so hard to be in the future, they forgot to check if they were actually good.

“Flowers” by Miley Cyrus (2023)
Miley Cyrus’ “Flowers” has been praised for its empowering message but also faced criticism from some listeners who find its pop formula predictable and its lyrical content lacking depth.
“Search & Rescue” by Drake (2023)
Drake’s “Search & Rescue” continues his trend of introspective tracks, yet some critics argue it falls flat, missing the mark in delivering the emotional punch.
“Here We Go Again” by Oliver Tree ft. David Guetta (2023)
Oliver Tree’s collaboration with David Guetta attempts to blend alternative with EDM, but the result is a song that some feel is disjointed, struggling to meld the two artists’ distinct styles effectively.

Toddler Tunes Terror

Children’s music, a realm where repetition knows no bounds and logic takes a backseat to catchy melodies. These seemingly innocent songs have the power to test the sanity of not just parents, but anyone within earshot.

“Baby Shark” by Pinkfong (2015)
“Baby Shark” – a song so simple, yet so diabolically effective at burrowing into your brain. This viral sensation has not only captured the hearts of children worldwide but has also successfully made adults question their life choices.
“I Like To Move It” – Alvin And The Chipmunks (2009)
Originally a dance hit, this song was hijacked by Alvin and his squeaky-voiced brethren, transforming it into an anthem for hyperactive rugrats everywhere. The chipmunk version of “I Like To Move It” possesses a unique ability to accelerate from “Oh, how cute” to “How do I make it stop?” in record time.
“Gummy Bear Song” – Gummibär (2007)
With its pulsing beat and lyrics that celebrate the life and times of a gelatinous bear, “Gummy Bear Song” is a sticky earworm that refuses to be washed away.

List of Most Hated Songs Of All Time

“Tutti Frutti” – Pat Boone (1956)
“(How Much Is) That Doggie in the Window” – Lita Roza (1953)
“Ain’t That a Shame” – Pat Boone (1955)
“Tell Me a Story” – Jimmy Boyd & Frankie Laine (1953)
“The Chipmunk Song” – The Chipmunks / David Seville (1958)
“Deck of Cards” – Wink Martindale (1959)
“The Doggie in the Window” – Patti Page (1953)
“Bathing Beauty” – The Beach Boys (1959)
“Long Tall Sally” – Pat Boone (1956)
“Running Bear” – Johnny Preston (1959)
“Tiptoe Through the Tulips” – Tiny Tim (1968)
“Surfin’ Bird” – The Trashmen (1963)
“I Got You Babe” – Sonny and Cher (1965)
“Sugar Sugar” – The Archies (1969)
“I’m Henry VIII, I Am” – Herman’s Hermits (1965)
“Revolution 9” – The Beatles (1968)
“Cherish” – The Association (1966)
“MacArthur Park” – Richard Harris (1968)
“Honey” – Bobby Goldsboro (1968)
“Yummy Yummy Yummy” – Ohio Express (1968)
“You Light Up My Life” – Debby Boone (1977)
“Make It With You” – Bread (1970)
“Sometimes When We Touch” – Dan Hill (1977)
“Wonderful Tonight” – Eric Clapton (1977)
“Disco Duck” – Rick Dees (1976)
“Convoy” – C.W. McCall (1975)
“The Morning After” – Maureen McGovern (1973)
“Seasons in the Sun” – Terry Jacks (1974)
“Muskat Love” – Captain & Tennille (1976)
“Have You Never Been Mellow” – Olivia Newton-John (1975)
“We Built This City” by Starship (1985)
“Mickey” by Toni Basil (1981)
“Money for Nothing” by Dire Straits (1985)
“Everybody Have Fun Tonight” by Wang Chung (1986)
“Lady in Red” by Chris de Burgh (1986)
“Rock Me Amadeus” by Falco (1985)
“Party All the Time” by Eddie Murphy (1985)
“The Final Countdown” by Europe (1986)
“The Safety Dance” by Men Without Hats (1982)
“We Are the World” by USA for Africa (1985)
“Cotton Eye Joe” by Rednex (1994)
“Barbie Girl” by Aqua (1997)
“Macarena” by Los Del Rio (1993)
“Faith” by Limp Bizkit (1998)
“Summer Girls” by LFO (1999)
“Truly Madly Deeply” by Savage Garden (1997)
“Mambo No. 5” by Lou Bega (1999)
“Achy Breaky Heart” by Billy Ray Cyrus (1992)
“Higher” by Creed (1999)
“All Star” by Smash Mouth (1999)
“Tubthumping” by Chumbawamba (1997)
“Informer” by Snow (1992)
“I Want You” by Savage Garden (1996)
“MMMBop” by Hanson (1997)
“Ice Ice Baby” by Vanilla Ice (1990)
“Who Let the Dogs Out?” by Baha Men (2000)
“The Hampsterdance Song” by Hampton the Hampster (2000)
“Blurry” by Puddle of Mudd (2001)
“The Ketchup Song (Aserejé)” by Las Ketchup (2002)
“You’re Beautiful” by James Blunt (2004)
“My Humps” by Black Eyed Peas (2005)
“Axel F” by Crazy Frog (2005)
“Photograph” by Nickelback (2005)
“Rockstar” by Nickelback (2005)
“I’m a Gummy Bear (The Gummy Bear Song)” by Gummibär (2006)
“Stars Are Blind” by Paris Hilton (2006)
“Crank That (Soulja Boy)” by Soulja Boy Tell ’em (2007)
“That’s Not My Name” by The Ting Tings (2008)
“Party in the U.S.A.” by Miley Cyrus (2009)
“Baby” by Justin Bieber feat. Ludacris (2010)
“My Jeans” by Jenna Rose (2010)
“Whip My Hair” by Willow Smith (2010)
“Friday” by Rebecca Black (2011)
“Call Me Maybe” by Carly Rae Jepsen (2011)
“What Makes You Beautiful” by One Direction (2011)
“Swagger Jagger” by Cher Lloyd (2011)
“Sexy and I Know It” by LMFAO (2011)
“Stupid Hoe” by Nicki Minaj (2012)
“Hot Problems” by Double Take (2012)
“Gangnam Style” by Psy (2012)
“Harlem Shake” by Baauer (2012)
“Boyfriend” by Justin Bieber (2012)
“We Are Never Ever Getting Back Together” by Taylor Swift (2012)
“It’s Thanksgiving” by Nicole Westbrook (2012)
“Intentions” by Justin Bieber (2020)
“Say So” by Doja Cat (2020)
“Together” by Sia (2020)
“Fancy Like” by Walker Hayes (2021)
“Life Goes On” by Oliver Tree (2021)
“ABSUЯD” by Guns N’ Roses (2021)
“abcdefu” by GAYLE (2022)
“emo girl” by Machine Gun Kelly feat. WILLOW (2022)
“Mona Lisa” by Lil Pump feat. Soulja Boy Tell ‘Em (2022)
“Flowers” by Miley Cyrus (2023)
“Search & Rescue” by Drake (2023)
“Here We Go Again” by Oliver Tree ft. David Guetta (2023)
“Baby Shark” by Pinkfong (2015)
“I Like To Move It” – Alvin And The Chipmunks (2009)
“Gummy Bear Song” – Gummibär (2007)

Tags: Best Songs, Most Hated